LITERARY NONFICTION
English 5760
Dr. Richard Nordquist
Armstrong Atlantic State University

RELATED COURSE SITES
Advanced Composition
Rhetoric 2000

Writing Project #2:
Profile
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ASSIGNMENTS
Readings
Writing Projects
Book Reviews/Reports

DESCRIPTION

EXAMS

Midterm
Final

LINKS
Authors
Composition Sites
Publishing Guides

NOTES

REPORTS

SYLLABUS

WRITERLY ADVICE

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7 November

As a guide to revising and editing your Profile, check out the
grade sheet for this assignment. When you submit your profile on Wednesday, be sure to identify (at the end of the essay, alongside your self-evaluation) the name of the magazine you have targeted for publication. 

4 November
Through this weekend, continue to check Profiles page for grading checklist as well as updates on revision strategies and submission guidelines.

29 October
Responses to Profile Drafts are now online at this link. 

22 October

Responses to Interview Transcripts are now online at this link. 

writer-o.gif (4574 bytes)Visit NOTES for previews & postscripts.


UPDATE 20 October
new3dspinning.gif (12641 bytes) Visit Profiles Online for new additions.
First draft of profile is due Wednesday, 27 October.
Final revision is due Monday, 8 November Wednesday, 10 November (new extended deadline).


UPDATE 17 October
For Wednesday, 20 October 1999: As you work on fashioning the transcript of your initial interview for today's class (see Profiles assignment), please also turn to Profiles Online and read the sample (online) interviews and profiles that are linked to this page.  The various Q&A interviews represent more polished versions of the transcripts that we're working on.  Make sure that by this date you've read the profile "The Inner Bezos," by Chip Bayers. 



UPDATE 7 October
Visit PROFILES ONLINE for links to sample interviews and profiles.  This new page will be frequently updated over the next few weeks. 


UPDATE 6 October
Below you will find references to a chapter by William Zinsser titled "Writing about People: The Interview."  Copies of this handout are in the envelope propped up by a can of Spring Linen Air Freshener on the chair outside my office (Victor 1-10).  Please pick up a copy next time you're on campus.

(Btw, don't forget to visit the Reading Walden page for the discussion questions for our online class meetings [October 6 and 11]).  


Profile Due Dates
Send me an e-mail message by Monday, October 11, suggesting at least one possible topic for this assignment and briefly explaining your choice.   Let me know if you're struggling to find a suitable subject, and I'll do what I can to help locate someone willing to work with you.

Length: 1,300-1,500 words (approximately five to seven double-spaced word-processed pages)

The Profile Assignment
In this assignment, we will write a profile of an individual whom we have interviewed and closely observed. The person may be either well-known in the community (a politician, a media figure, the owner of a car dealership) or relatively anonymous (a waitress, a junkie, a college professor). In any case, the focus of your essay should not be
primarily personal (avoid interviews with mom or a boy- or girlfriend, for instance). Rather, through close observation and factual investigation, you should attempt to convey the distinct qualities of this individual as an individual or as a participant in some notable social, cultural, or historical event. Attend to the guidelines, suggestions, and requirements that follow.

Send me an e-mail message by Monday, October 11, suggesting at least one possible topic for this assignment and briefly explaining your choice.  Let me know if you're struggling to find a suitable subject, and I'll do what I can to help locate someone willing to work with you.

Guidelines
Be guided by the suggestions contained in Chapter 12 of On Writing Well, "Writing about People: The Interview" (handout, available outside my office in Victor Hall).   Let me highlight a few of Zinsser's precepts and observations:

check_black_wte.gif (1065 bytes)Get people talking. Learn to ask questions that will elicit answers about what is most interesting or vivid in their lives. (100)

check_black_wte.gif (1065 bytes)Choose as your subject someone whose job [or experience] is so important or so interesting or so unusual that the average reader would want to read about that person.   . . . Choose, in short, someone who touches some corner of the reader's life. (104)

check_black_wte.gif (1065 bytes)The basic tools for an interview are paper and some well-sharpened pencils. (104)

check_black_wte.gif (1065 bytes)Make a list of likely questions. (105)

check_black_wte.gif (1065 bytes)Just say, "Hold it a minute, please," and write until you catch up. (107)

check_black_wte.gif (1065 bytes)[I]f the speaker's conversation is ragged–if his sentences trail off, if his thoughts are disorderly, if his language is so tangled that it would embarrass him–the writer has no choice but to clean up the English and provide the missing links." (109)

check_black_wte.gif (1065 bytes)Remember that you can call [or revisit] the person you interviewed. (109-10)

check_black_wte.gif (1065 bytes)What's wrong . . . is to fabricate quotes or to surmise what someone might have said. (115)

Some additional things to keep in mind:

1. Prepare for this assignment by reading some good profiles (assigned readings and handouts). .

2. Give a lot of thought to your choice of a subject--and feel free to solicit advice from family, friends, and co-workers.  Don't feel at all obliged to choose a person who's socially prominent or who has had an obviously exciting life. Your task is to bring out what is interesting about your subject–no matter how ordinary this individual may at first appear. In the past, students have written some excellent profiles on a wide array of subjects: school teachers, waitresses, librarians, store
detectives, medical professionals, card sharks, musicians, barbers, pimps, ministers, thieves, pilots, shrimpers–even one Amway distributor. Keep in mind, however, that the present occupation of your subject may be inconsequential; the focus of the profile may instead be on your subject's involvement in some notable experience or event in the past.  Students have written superior profiles of the first African-American who applied (in the early 1960s) to be a student at Armstrong; of a man who (as a teenager) sold vegetables door to door during the Depression; of a woman who marched with Dr. Martin Luther King; of a woman whose family operated a successful moonshine operation; of a musician who performed with some of the big bands of the 1930s and ‘40s. The truth is, wonderful subjects are all around us: the challenge is to get them talking and then to find a focus.  By this Monday (October 11), let me know whom you've chosen–or if you've hit a wall in your quest for the right
subject (if necessary, I'll arrange an introduction for you).

3.   Examine the following sites: Conducting Effective Interviews, Conducting Interviews, and Creating Profiles: After the Interview

4.  In moving from transcripts to profile, we'll face the major task of focusing our approach to the subject. Don't attempt to provide a life story in 1,500 words: attend to key details, incidents, experiences. And be prepared to let us know exactly what your subject looks like and sounds like. The essay should be built primarily on direct quotations from your subject as well as factual observations and informative details.

5. Although your primary concern in the profile is, of course, with the person you have interviewed, the circumstances surrounding your encounter with the subject may be incorporated into the essay–if such details serve a purpose. Notice that Bob Greene provides this information in different ways, employing the first person in "Lines from the Heart" and the third person (the "visitor" who "sat nursing a drink by the bar") in "Song of the Powder Room."

6. Review the strategies recommended in class and on the previous assignment sheet–particularly strategies related to targeting an audience as well as revising and editing.

Format
Transcripts  simply need to be word processed in a question-and-answer format. For peer review, please also
have on hand two photocopies of the transcript. Following the transcript, please write me a brief note explaining (a) what
parts of the interview are most likely to make their way into your final essay, and (b) what angle(s) or point(s) of focus you intend to follow in the essay.

The final version of the essay should be word processed, following the format below. Submit the essay in a pocket folder (no
clasps, staples, or plastic spines): most recent version on top, rough(er) versions below. Following your essay, provide a brief
self-evaluation by responding to these questions:

1. What part of this profile do you like most, and why?
2. What part gave you the most difficulty? Explain.
3. What is your overall evaluation of the profile--its particular strengths and possible weaknesses?

Please be as specific as you can in your answers.

Manuscript format
On November 10 (extended deadline), bring to class the finished profile (word processed, normal 12-point font, clearly and sharply printed) as well as all transcripts and drafts.  Double space all text. Set one-inch margins: top, bottom, left, and right.


Your Name                                                     Profile

Your e-mail address                                         Draft (1 or 2)

Date draft is due                                               approx.# of  words

                           Tentative Title of Your Essay

     Begin essay here . . .


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English 5760 is taught by Dr. Richard Nordquist.
Armstrong Atlantic State University
Victor 1-10
11935 Abercorn Street
Savannah, Georgia 31419
NEW PHONE: 912 921 5991
FAX:   912 921 7339

e-mail: richardnordquist@hotmail.com    email1.gif (3086 bytes)   homearro.gif (1916 bytes)   People09.gif (1594 bytes)

 

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08 November 1999