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H 2100H honors literature & humanities notes archive 4 Every few weeks the notes on this page are moved to the archives: archive 4 (Oct. 3 - Oct. 8) archive 3 (Sep. 24 - Oct. 1) archive 2 (Sep. 5 - Sep. 19) archive 1 (Aug. 20 - Sep. 3) -----------
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| MEGAN'S NOTES for Tuesday,
October 8 -Project # 2 is due November 1, but make sure you get an early start. Remember that are NO limits on the number of drafts submitted. -Make sure to read all of the handouts for Tuesday, October 15. This includes: "Midsummer Night," "Toomas Nipernaadi," "An Account of the Tragic Death of the Willey Family," "The Summer People," "The Child Who Was Tired," and "The Lottery," which is posted on the website. -Today we continued our discussion of The Duchess of Malfi. We learned that Italy is often used as a setting for dark, revenge plays. We shared our favorite lines from the play. Here are some of the comments that we discussed in class. (I want to apologize in advance if I do not interpret some of the comments correctly) 1. Juan-p.23 lines 311-316 He liked the metaphor that Ferdinand used to describe how the Duchess would be going backwards like the crab if she remarried. These lines also show that Ferdinand is aware of her intentions to marry. 2. Sara-p.17 lines 175-188 These lines show how Antonio contrasts with the Cardinal. It is ironic that the devil speaks from the Cardinal's lips because he is supposed to be representing the Church. Dr. N. said, "We often find out about a character through other characters." 3. Bretlan-p. 24 lines 123-128 These lines allow us to see Ferdinand's sexist views, and they are interesting because Ferdinand refers to his father, which is rare. 4. Amanda-p. 29 lines 412-416 This passage shows that obsessiveness used in a positive way is referred to as ambition, but when obsessiveness is used in a negative way it seems like madness. This was an interesting point that I have not considered before. 5. Stephan-p. 29 lines 416-419 and 433-445 He likes these lines because they are very clear in their meanings (which we often do not find in this play). Dr. N. wants us to use the line "We are forced to woo because none dare woo us" sometime during our lives :) 6. Emily-p. 36 lines 79-82 These lines portray Bosola's ambiguity and his lies that he uses (even to himself). Emily thought it was ironic that he says that wisdom is not desirable, but he is gaining wisdom by finding out information as a spy. Dr. N. called Bosola a "crushed idealist." 7. Katlin-p. 58 lines 67-69 and p.84 lines 138-139 Ferdinand realizes that the Duchess and Antonio are in love; yet, he still acts against love during these lines. The second quote is interesting because it states that men are only valued after they are dead or broken down. 8. James-p. 49 lines 20-26 These lines display the Cardinal's evilness, and James recognized a lot of sexual connotations in these lines. Dr. N. said that the Church was corrupt during the time the play was set, so the Cardinal's actions are not unrealistic. (For a more qualified view of this subject, see Frans van Liere's "Was the Medieval Church Corrupt?") 9. Sara Beth-p.90 lines 130-133 She likes these lines because she thinks Bosola is a good guy for a moment (She is optimistic). Sara Beth learns that Bosola really is a "man with many masks." Dr. N. noted that Bosola often was trying to bring the Duchess to mortification. 10. Sophia-p.101 lines 220-227 She thought it was interesting that the Duchess was ready to die and accepted death. The line that heaven was "coming down" to the Duchess was also intriguing because often we think of a person "rising up" to heaven. ***Note: 1.) Delio speaks in prose (that is the reason why the lines go straight across the page and are not indented) because he is not royalty. He, therefore, does not speak in poetry. The Fool in King Lear also speaks in prose because he is not noble. 2.) Webster structured the play to have constant tension to keep the audience's interest similar to the way television does today. |
Continuation of discussion on Steinbeck's Chrysanthemums: -
Eliza is left standing in
the driveway under the illusion that there is brightness to the sky. The sunshine is used metaphorically to
show how before she felt blocked in by the lack of light, but now in the sunshine she
feels a bit of freedom. The S
Sioux Tale: Whats This?
My Balls for Your Dinner?: Discussion
on Webster's The Duchess of Malfi: -
The wooing scene is
comical. It makes fun and plays on the idea of
switched roles of wooing. This action is
played off in a light mood, thus adding a humorous aspect to the situation. |
Observations on Thousand Acres Pete /Ginny Ty / Larry / Cal Cook Jess /Mark Ginny/Rose Ginny/Mother Carolyn, Pam and Linda Jess/Rose Elisa:
-Manlike, not attractive.
Henry: |
English 2100H is
taught by Dr. Richard Nordquist.
Armstrong Atlantic State University
University Hall 297D
11935 Abercorn Street
Savannah, Georgia 31419
912-921-5991
e-mail: nordquist@mail.com
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14 October 2002
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