Armstrong Atlantic State University
ENGLISH 1102: COMPOSITION II
FORMAT CHECKLIST
NOTE: Because this page may not appear properly formatted in all browsers, please rely on
the hard copy of the format sheet that was distributed in class.
Your Name
English 1102 (Nordquist)
Project #1
Date submitted
Title of Your Essay
Begin your essay here, immediately following the title you've fashioned for your essay. In other words, do not provide a
separate cover page. A good
introduction conventionally identifies (by title and author) the works that you'll be
examining in
the body of your essay, suggests the basic approaches that you'll be taking in your
analysis, and offers some indication of the
purpose of this analysis. (Remember always to put the titles of stories and poems in
quotation marks ["The Lottery"] and to put
commas and periods [where needed] inside quotation marks: In his allegorical story
"Young Goodman Brown," Hawthorne . .
. , unlike Ralph Ellison's portrayal of a depression-era Southern town in "Battle
Royal." See the sample A essay on "Miss Brill"
for a model of a well-constructed (and accurately punctuated) introductory paragraph.
Indent each new paragraph five spaces.
Double-space all lines of text in your essay, and maintain one-inch margins on all
four sides of the paper. Use a standard font (such as Times Roman or Courier) and a font
size of twelve. Make sure that the
cartridge in your printer has sufficient ink, and use standard white paper (8.5" x
11"). Print on only one side of the paper.
Please don't wait until the last minute to print out your essay: reserve enough time so
that if you experience problems with a
computer or a printer at home you can still visit the Armstrong computing lab or Writing
Center for help in printing your essay
before the assigned deadline. If you do experience technical problems at the last minute,
it's absolutely unnecessary to explain
those problems to me: the policy on deadlines for assignments is explained in the
syllabus.
When you edit the final version of your essay,
try reading it aloud: you may be able to hear problems with the writing
that you haven't been able to see. Make sure that you maintain a balance--sentence by
sentence and paragraph by
paragraph--of "show me" (i.e., supporting details) and "so what?"
(i.e., the particular effects or implications of those details).
Never re-tell or paraphrase a story or poem for its own sake: you are writing
for someone who has already read the
work(s). When analyzing a story, poem, or play, make sure that you keep consistently
to the present tense: see the sample A
essay on "Miss Brill."
Heed the project guidelines regarding the Honor Code and doing your own work:
lifting ideas from
mama is as much a violation of the code as lifting ideas (without attribution) from a
journal article or a web site: quite simply,
do your own work. If you have any questions regarding Honor Code policies, send me
an e-mail before the project due date.
Never quote without commenting on the
quotation. Keep your quotations as short as necessary: often, a single word or
phrase will work just fine. Quotations that run more than four lines long should be
"blocked" (i.e., indented twice), but, then, if
you have a quotation that runs more
than four lines long, it is very likely needlessly long and should be cut down. Because we
are all using the same editions for all assigned stories and poems, it is not necessary
(for this assignment, at least) to put the
page numbers for your quotations in parentheses. (This guideline will change when we get
to a research project.)
Avoid the vague use of "this." You
can avoid this problem by making sure that a noun allows follows the word this:
NOT
"This means that the hero . . .," BUT INSTEAD "This remark [or whatever]
means that the hero . . .." And be guided by the
grading checklist posted online.